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Variety,
May 29,
1935
The Girl
from 10th Avenue (1935)
Warner Bros.
Production and release stars Bette Davis; features Ian Hunter, Colin
Clive, Alison Salpworth. Directed by Alfred E. Green. From the play
by Hubert Henry Davies; adaptation, Charles Kenyon; camera, James
Van Trees At Capital, N.Y. week May 32, 35. Running time,
70 mins.
| Miriam
Brady |
Bette Davis |
 |
| Geoffrey
Sherwood |
Ian Hunter |
| Marland |
Colin Clive |
| Mrs.
Martin |
Alison
Skipworth |
| Hugh
Brown |
John Eldredge |
| Tony
Hewlett |
Philip
Reed |
| Valentine |
Katherine
Alexander |
| Miss
Mansfield |
Helen Jerome
Eddy |
| Clerk |
Gordon
Elliot |
For Bette Davis
this is her first starring venture, and the performance she gives
should pull the picture through to good returns. In the lesser names
where theyre less inclined to be critical about the story
and wholesale resort to stale dramatic stratagems, the outlook for
"The Girl from 10th Avenue" is particularly
strong.
Film
allows the star to go high, wide and handsome on the emotions. She
takes em all in a stride that saves the yarn from dying by
its own befuddlement, and that also should up her a few notches
as a box office bet.
"Girl from
10th Avenue" is fashioned from a pattern whose every
turn and twist the dullest fan can easily anticipate. A weak sister
of the social set is tossed over by his Park Avenue girl friend
for a guy with a better social position and more coin. The disappointed
swain tries to boil his disappointment in alcohol and the girl from
10th avenue who takes him in hand in an effort to straighten
out his teary recklessness, gets him on the rebound. While both
are stewed a justice of the peace, roused out of his sleep at 4
a.m., turns the trick. In time the Park Avenue Jane realizes her
mistake and goes on the make for the old heart ailment.
Complications
follow, with a verbal clash between the two dames ad a newspaper
account of the incident precipitating a break between the 10th
avenue girl and her society spouse. But it doesnt take the
latter long to realize where his true love really lies and back
he goes tow hat had been his downtown hideaway with the 10th
avenue bride.
Narrative is
chockfull of implausible sequences and the plot often gets itself
into blind alleys. But deft direction plus smooth trouping by Miss
Davis make these defects not too noticeable for the average fan.
Although picture has all the vestiges of a one-role work, fetching
performances are turned in by Alison Skipworth, as a landlady who
once pranced the Florodora Sextet, and by Colin Clive as the Park
avenue girls husband. In the role of the latters wife,
Katherine Alexander does aptly by the lines and situations assigned
her, while Ian Hunter, as the scion who marries into 10th
avenue, contributes a characterization that lacks both solidness
and conviction. But the fault is more the scripts than his.
copyright ©
1935 Variety
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