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When Lara Flynn Boyle was in high school, her mother managed their Chicago apartment building and Lara helped out by shoveling up dead rats her mom had poisoned and putting them in the garbage.
The Replacement Killers
Product Details
Year: 1998
Cast: Chow Yun-Fat, Mira Sorvino, Michael Rooker, Kenneth Tsang, Juergen Prochnow, Danny Trejo, Til Schweiger, Clifton (Gonzalez) Collins Jr., Carlos Gomez, Frank Medrano
Directed By: Antoine Fuqua
Hong Kong action star Chow Yun-Fat makes his American debut in this somewhat disappointing first feature from director Antoine Fuqua. Chow stars as John Lee, an assassin working for crime boss Mr. Wei (Tsang). When Lee decides not to carry out a hit on a cop's (Rooker) son, he becomes the target of the men sent to replace him. Needing a passport to get back to China, Lee goes to forger Meg Coburn (Sorvino). Before she can finish the papers, Wei's men begin the first of many high body count gun battles. Fuqua, who was heavily influenced by John Woo (one of the film's exec producers), does a passable job of conveying the style of Chow and Woo's Hong Kong work, but doesn't leave much room for the substance. Chow's sublety and charisma are crammed into a mechanical action plot, and only his talent saves the whole thing from imploding.
Cast: Chow Yun-Fat, Mira Sorvino, Michael Rooker, Kenneth Tsang, Juergen Prochnow, Danny Trejo, Til Schweiger, Clifton (Gonzalez) Collins Jr., Carlos Gomez, Frank Medrano
Directed By: Antoine Fuqua
Hong Kong action star Chow Yun-Fat makes his American debut in this somewhat disappointing first feature from director Antoine Fuqua. Chow stars as John Lee, an assassin working for crime boss Mr. Wei (Tsang). When Lee decides not to carry out a hit on a cop's (Rooker) son, he becomes the target of the men sent to replace him. Needing a passport to get back to China, Lee goes to forger Meg Coburn (Sorvino). Before she can finish the papers, Wei's men begin the first of many high body count gun battles. Fuqua, who was heavily influenced by John Woo (one of the film's exec producers), does a passable job of conveying the style of Chow and Woo's Hong Kong work, but doesn't leave much room for the substance. Chow's sublety and charisma are crammed into a mechanical action plot, and only his talent saves the whole thing from imploding.
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